Diego Azar defies labels with his album, as each song ventures into diverse musical territories, from milonga to cumbia, without pigeonholing itself into a specific genre. Azar dismantles the songs like a curious child would disassemble a toy, revealing the internal gears of music. Tracks like "Canción sin maquillaje" and "Finales de comienzos" showcase this poetic and musical nakedness. The result is a powerful album, where each song is its own world yet maintains a general coherence. Azar's voice is distinctive, with nuances ranging from the nasal tones of Uruguayan murgueros to the sweetness of zamba. His style may recall influences like Fernando Cabrera and Eduardo Mateo, but Azar possesses a mature and distinctive vocal and compositional approach.