The album by Carlé Costa is not one that showcases the virtuosity of a single instrument or focuses solely on instrumental prowess. Instead, his compositions are fragments of a whole, snapshots of his life that are more about sound than silence. While it's difficult to categorize his music as strictly written (though he does write it and publishes it in sheet music books), it also can't be said to be entirely improvised. It feels like he turns his imagination into music.

With a long career as a performer and composer, Costa appears to be free of any biases when crafting his pieces, whether simple or complex. He can immerse himself in the three notes of a chord for a long time, delve into the rhythm of a huayno, or propose highly singable melodies. Some might associate certain passages with minimalist composers, but Carlé Costa avoids any straightforward classification. He uses the resources that suit him best with a distinct personality, not adhering to any particular genre or general style.