Autóctono
Latin Jazz
Label: Club del Disco
Tracklist may vary in physical formats
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Guido Briscioli
Interpreter
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GUESTS
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Edi Dimmer
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Franco Luciani
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Yamile Burich
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Martin Sued
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Nicolás Sanucci
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Cristian Judurcha
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MUSICIANS
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Gustavo Silva
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TECHNICIANS
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César Silva
Buenos Aires, Argentina
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In this LP, Guido Briscioli proposes the fusion of Traditional Argentine Rhythms with new sounds characteristic of urban chaos, where the encounter between cultures, genres, and styles is constant. The trio, completed by Cristian Judurcha on drums and Nicolás Sanucci on bass, with whom he has been working for years, sounds fresh and cohesive. The music breathes, with corridors to navigate through varying intensities, where the instruments, far from overlapping, engage in conversation. After releasing the EP "Corazonada" in 2021, this new album aims to incorporate a guest artist who brings a different dimension to each piece. Franco Luciani (harmonica) contributes to the waltz "Tres Paisajes," Martín Sued (bandoneón) adds his touch to "Pendular," Gustavo "Colo" Silva (piano) joins in for "Chaca Rea" and the milonga "Huidiza," Edi Dimmer (keyboards and shynthes) enriches the huayno "Siete Colores," and finally, Yamile Burich (soprano saxophone) makes an appearance in the only non-original piece on the album, the free version of "Manuelita La Tortuga" by María Elena Walsh. "Autóctono" refers to that which is born or originates in the same place where it is found. Guido Briscioli, having studied, traveled, and toured with his sounds around the globe, now draws from an urban and contemporary language to highlight the rhythmic power of "our own," focusing on the primary, the rhythmic essence, the substance of these lands, our sonic and cultural heritage. The goal is to expand the language of Argentine music, its connections, and possibilities through explicit dialogue with the play of creative improvisation and the freedom of jazz. Simultaneously, influences from music of other latitudes are expressed without reservation. The idea is not to mute those other antennas that traverse it but to expose and allow tradition to express itself in new musical realms without fear of coexistence, to nourish and see how they can live together, understanding music not as something static and dogmatic but as a permeable field in constant transformation, influenced by the time and space in which we live. It's about exposing those traces that leave imprints of personal experiences and historical perspectives, acknowledging them and valuing them. It's akin to a need to revisit origins with a fresh perspective, gaining momentum forward with renewed strength, and discovering new sonic perspectives that represent this group as "Argentine Musicians of the 21st Century."